ED Publication List

Bibliography

Scholarly Books

1. Dairianathan, E. (Ed.). (1999). Asian music and dance : educational perspectives : a collection of papers given at the Asian Music and Dance Conference in Education in Singapore, March 16-19, 1997. Singapore: Photoplates Pte. Ltd..

Chapters in Scholarly Books

1. Dairianathan, E. and Lum, C.H (In-press). Soundscapes of a nation/alism - a perspective from Singapore. In Hebert, D. G. and Kertz-Welzel, A. (Ed.), To be confirmed (pp. tbc). tbc: tbc.

2. Lum, C.H., and Dairianathan, E. (In-press). Coiffuring childhoods through 'Music'; reflexive and reflective perspectives from Singapore. In Wiggins, T., & Campbell, P.S. (Eds.) (2011). (Eds.), Oxford Handbook of Children's Musical Cultures. New York: Oxford University Press. (pp. 0). New York: Oxford University Press.

3. Dairianathan,E. (2005). Cultural dependence in question; an exploration of Musical practices of South Indian film in Singapore. In Bjornberg, A. Hallin, M., Lillestam, L., Stockfelt, o. (Ed.), Frispel, a Festschrift publication by Goteborg University, Sweden, on the occasion of the sixtieth birthday of Professor Olle Edstrom (pp. 174-192). Gothenburg: Gothenburg University, Sweden.

4. Dairianthan, E. (2003). Improvisation for non-specialist teachers : an exploratory experience in the teaching and learning of improvisation at tertiary level in Singapore. In Leong, S. (Ed.), Musicianship in the 21st century: Issues, trends and possibilities (pp. 0). Sydney: Australian Music Centre.

Journal Articles (Refereed)

1. Dairianathan, E. (2009). Vedic metal and the South Indian community in Singapore: problems and prospects of identity. Inter-Asia Cultural Studies, Volume 10(4), 585 - 608.

2. Dairianathan, E. and Chia, W. K (2007). Xinyao: Questions of Culture. Nanyang Humanities Series, 4, 147-162.

3. Dairianathan, E., (2006). The Wind Band Ensemble in Singapore; Presence and Practice. WASBE International Journal, 13, 31-50.

Keynote Addresses

1. Dairianathan, E.(2008, MAY). Music Today. Keynote Address, Themes in the Tonic, Singapore, Sin.

Conference Papers (Published in Proceedings)

1. Dairianathan, E. (In-press). Lessons from Extreme metal musicians; a perspective from Singapore. In To be finalised (Ed.) 6th International Symposium on the Sociology of Music Education Limerick: to be finalised.

2. Dairianathan, E. & Stead, E.P. (2010). Improvisation as inventive space. In Sims, W. (Ed.) Proceedings of the 29th ISME World Conference (pp. tbc). Beijing: ISME.

3. Dairianathan, E. and Lum, C.H. (2010). Vedic metal: issues of local practice, popular music and education. In Dunbar Hall, P (Ed.) CDIME10: Tenth International Conference on Cultural Diversity in Music Education, Sydney, 11-13 January 2010 (pp. 32-38) (pp. 32-38). Sydney: CD ROM.

4. Dairianathan, E. (2009). Vedic Metal; Issues of local practice, popular music and education.. In CRPP NIE (Ed.) 3rd Redesigning Pedagogy International Conference (pp. 0). Singapore: CRPP, NIE.

5. Dairianathan, E. and Stead, P. (2009). Enforced Spontaneity - Perspectives from non music-specialist tertiary students learning free improvisation in Singapore. In CRPP, NIE (Ed.) 3rd Redesigning Pedagogy International Conference June 2009, Singapore (pp. e-format). Singapore: CRPP, NIE.

6. Dairianathan, E., (2008). Vedic-Metal as local Extreme Metal; a perspective from Singapore. In to be announced (Ed.) New Asian Imaginations (pp. 0). Singapore: Nanyang Academy of Fine Arts.

7. Dairianathan, E., and Stead, E.P. (2008). Improvisation and issues of formal and informal learning; A perspective from Singapore. In Sims, W., et.al, (Ed.) 2008 ISME World Conference (pp. 0). Bologna: ISME.

8. Dairianathan, E. (2007). Improvisation and the paradox of rehearsal; an exploratory study in Singapore. In CRPP, NIE (Ed.) Redesigning Pedagogy: Culture, Knowledge and Understanding (pp. 0). Singapore: NIE.

9. Dairianathan, E. (2007). Vedic-Metal: Global/Local Identity in Extreme Metal in the South Indian Community in Singapore. In Autralian Society for Music Educators (Ed.) Celebrating Musical Communities (pp. 81-84). Perth: Australian Music Educators Society.

10. Dairianathan, E., (2007). Melete and Gymnasia: a perspective from Singapore on Improvisation for non-music specialist teachers, Singapore.. In Artistic and Creative Education, Melbourne Graduate School of Education, University of Melbourne (Ed.) Dialogues and Differences: Beyond the Generic, Beyond the Differences Arts Education Symposium, University of Melbourne, April 2006 Symposium Proceedings (pp. 1-11). Melbourne: Artistic and Creative Education, Melbourne Graduate School of Education, University of Melbourne.

11. Dairianathan, E., (2007). Improvisation as cultural recreation; a perspective from non-music specialist teachers in Singapore. In Boddington, A., and Clews, D., (Eds.) (Ed.) Teachers' Academy Papers, ELIA Teachers' Academy, University of Brighton, England, July 11-14, University of Brighton, Burlington Press. (pp. 143-147). Brighton, England: Burlington Press, Cambridge.

12. Dairianathan, E. (2006). The Wind Band Ensemble, Music and Education; a perspective from Singapore. In Sims, W.L. and Tahir, R. (Ed.) Sentuhan ISME 2006 proceedings (pp. 303-315). KL, Malaysia: ISME, Perth Western Australia.

13. Dairianathan, E., and Stead, E.P., (2006). Improvisation as real-time thinking and rehearsal; an exploratory study in Singapore. In Sims, W.L. and Tahir, R. (Ed.) Sentuhan ISME 2006 proceedings (pp. 316-333). Kuala Lumpur: ISME, Perth Western Australia.

14. Dairianathan, E. and Lincoln P. (2005). New Media in Education; dialogue and dialectic. In City University of New York. (Ed.) "Share, Share Widely" (SSW) conference on May 6, 2005 (pp. 0). New York, USA: podcast -http://www.archive.org/details/ssw_blog_paul_eugene_diraneshin.

15. Dairianathan, E. and Stead, P. (2005). Improvisation and Music; Issues of Assessment. In CRPP (Ed.) CRPP Conference Proceedings, Redesigning Pedagogy: Research, Policy, Practice, Singapore (pp. 0). Singapore: CRPP.

16. Dairianathan, E. and Stead, P. (2004). Improvisation and 'Music'; Issues of Assessment. In ERAS (Ed.) Educational Research Association of Singapore, ERAS Conference (pp. 448-459). Singapore: CDRom.

Conference Presentations

1. Dairianathan, E., (2007, March). Vedic-Metal and Issues of Affiliation: An Exploration of Extreme Metal Practice in the South Indian Community in Singapore. Paper presented at Workshop on Asian Pop Music in Transition: New Economy, New Subjectivities and Inter-Asian Perspective - 3- 4 March 2007, National University of Singapore, Singapore.

2. Dairianathan, E. (2005, July). The Band in Singapore: presence and practice. Paper presented at WASBE International Conference, Singapore.

3. Dairianathan, E. (2003, June). Musical improvisation for non-music majors: an experience in the teaching and learning of improvisation at tertiary level institution. Paper presented at Asia Pacific Conference in Education 2-4 June 2003 at the National Institute of Education, Nanyang Technological University, Singapore.

4. Dairianathan, E (2002, August). Musical Practices in Singapore; a beginning. Paper presented at Music and Sociology Conference, 8-10 August 2002, Gothenburg, Sweden. The Conference was sponsored by the Swedish Board of Science, Royal Academy of Music and Musicology Department of Gothenburg University, Sweden., Gothenburg.

5. Dairianathan, E. (1999, July). Facing the Music: an educational perspective in evaluating experiential learning in the study of music. Paper presented at 9th International Conference of Asia Pacific Confederation for Arts Education, Singapore.

Journal Articles (Non-refereed)

1. Dairianathan, E. and Crawford, L. (2000). Students' perceptions of experiential learning in the study of musical practices. REACT, 0(1), 0.

Research/Technical Reports

1. Dairianathan, E., and Phan, M.Y., (2005). A Narrative history of music in Singapore 1819 to the present. R&D Project Report, National Arts Council, Singapore (based on NAC R&D Grant awarded in 2002. (National Arts Council, Singapore). Singapore.

Professional Article

1. Dairianathan, E. (2005, November 4). Pop and Rock popularise Religious Malay Music Business Times, 0, 0.

2. Dairianathan, E. (2003, January). Summoning Spirits of the New Millenium Esplanade Arts Magazine, 0, 0.

3. Dairianathan, E. (2003, November). Xinyao, some curious questions The Arts Magazine, NUS, 12, 17-21.

Workshops & Seminars

1. Suriani bte. Rahmat Rajendran C. Lee J. Dairianathan E. (2010, March). Forum on the Implementation of Creative Activities in the Arts Education Classroom. Singapore.

2. Dairianathan, E. (2008, May). Themes in the tonic; locating the local in Music-making. Singapore.

3. Dairianathan, E. (2006, May). Music and Education; Problems, Prospects, and Challenges in INTONATION ? A Music Education Forum, organised by World Prime with support from The Substation and the Lee Foundation, Friday, 26th May 2006, Civil Service College.. Singapore.

4. Dairianathan, E. (2002, October). Intonation - an informed perspective. Singapore.

5. Dairianathan, E. (2000, May). Facing the Music: an experience from Singapore. Sweden.

Others

Others

1. Dairianathan, E. (2009). Mickey Mouse III at play - a perspective. Singapore: Straits Art Company Pte. Ltd. with assistance from National Institute of Education and National Arts Council, Singpoare.

2. Dairianathan, E., (2006). Entries on: Indian classical music p.247) and Chinese popular music (p.114).. Singapore: Editions Didier Millet, in conjunction with the National Heritage Board.

3. Dairianathan, E. (2004). The songs of Liang Wern Fook. Singapore: COMPASS Singapore.

4. Dairianathan, E. (2003). Programme notes for piano recital by Li Yundi. Singapore: Esplanade productions.

5. Dairiathan, E. (2003). Les Arts Florissants. Singapore: Esplanade Productions.

6. Dairianathan, E. (2002). Concert Programme notes for Jesseye Norman concert (Vocal recital with piano accompaniment). Singapore: Esplanade Productions.