music unit - visual and performing arts - national institute of education - 1 nanyang walk - singapore 637616 - tel: 6790-3888

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EDDY CHONG teaches courses primarily related to music theory and analysis at diploma, undergraduate and postgraduate levels. A recipient of the Overseas Graduate Scholarship from NTU-NIE, Eddy completed his doctorate in Music Theory at the Eastman School of Music. His thesis develops a Schenkerian approach for the analysis of Ravel's piano music. He has since presented further research on Ravel at conferences in Australia and Finland. His book chapter, "Contextualizing Ravel" has recently been published in Music Research: New Directions for a New Century (Cambridge Scholars Press, 2004).

 

Motivated by his belief in integrating the learning of music theory and analysis with composing, he has taken an interest in developing a pedagogical model for teaching composing based on Fux's species counterpoint method. Applicational ideas at various levels—primary, secondary and tertiary—have been presented at conferences both overseas and locally, some of which will be published shortly.

 

His current new area of research is blogging as an instructional strategy. He has presented his research on (edu)-blogging in music teaching at various conferences including the Association of Technology in Music Instruction 30th Conference in Quebec City, Canada (2005). His book chapter "Adaptive Learning through Blogging: A Case Study in Music Teaching" has just been published in Redesigning Pedagogy: Voice of Practitioners (2007).

 

Prior to his doctoral studies, Eddy taught and co-ordinated the Music Elective Programme at the Raffles Junior College, where he also conducted the RJC Ensemble which won certificates of distinction at the Singapore Youth Festival competitions. Currently, besides lecturing and supervising at NIE, he has shared his knowledge at enrichment sessions for "O" level music teachers and band directors, and has given a number of SSO pre-concert talks. In his weekends, he conducts his church choir and plays the organ for service.   

 

 

Research and Publication

 

Fuxian pedagogy for the teaching of music composition

Chong, E. "Fuxian Pedagogy for the 21st century." Paper delivered at the Asia Pacific Conference on Education (Singapore), 3 Jun 2003.

 

Chong, E. "Fux's Species Counterpoint and the Student-Centred Creative Approach to Composing." Paper delivered at the Hawaii International Conference on Education (Honolulu), 4 Jan 2004.

 

Chong, E. "Structuring the Teaching of Composing: Fux reconsidered." Paper delivered at the 2004 Nordic Musicological Congress (Helsinki), 13 Aug 2004.

 

Chong, E. Powerpoint-based learning package on species counterpoint. Selected by CITE for presentation at the International Conference on Educational Technology (Singapore), 9-10 Sep 2004.

 

Chong, E. "Creative activities for the classroom: ideas from Fux." Paper at the Educational Research Association of Singapore Conference (Singapore), 26 Nov 2004.

 

Chong, E. "Teaching Enduring Understandings through Species Counterpoint." Paper at 16th International Seminar on Education of the Professional Musician, International Society of Music Education (Hanoi), 10-14 July 2006. [Published in seminar handbook]

 

Chong, E. "Innovating with Fux for the Primary Music Class." In Enterprising Ideas, Innovative Practices, Volume 1: The Foundation Years. Edited by Ho Boon Tiong, Jo-Ann Netto-Shek, Agnes Chang and Tan Oon Seng (Accepted for Publication).

 

Chong, E. "Composing as Knowing: Integrating Composing in the new G.C.E. "O"-level music curriculum." In Enterprising Ideas, Innovative Practices, Volume 2: The Foundation Years. Edited by Ho Boon Tiong, Jo-Ann Netto-Shek, Agnes Chang and Tan Oon Seng (Accepted for Publication).

 

 

Blogging as an instructional strategy in music teaching

 

Chong, E., and W. M. Soo. "Higher-order Learning in Music through Blogs." Paper at CRPP's Redesigning Pedagogy Conference (Singapore), 30 May – 1 Jun 2005. [Published in conference CD-ROM]

 

Chong, E., and W. M. Soo. "Integrative and Collaborative Music Learning Using Blogs." Paper delivered at the Association for Technology in Music Instruction and College Music Society joint-conference (Quebec City), 3-6 Nov 2005.

 

Chong, E. "Blogging in Music Teaching: Engaged Learning beyond Classroom and Disciplinary Boundaries." Paper at Educational Research Association of Singapore Conference (Singapore), 29-31 May 2006. [Published in conference CD-ROM]

 

Chong, E. "From Blogging to Self-regulated Learning in Music." Symposium Paper on "Fostering Blogging Communities for Learning: Case Studies" at the Asia-Pacific Educational Research Association International Conference (Hong Kong), 28-30 Nov 2006. [Published in conference CD-ROM]

 

Chong, E. and W. M. Soo. "Adaptive Learning through Blogging: A Case Study in Music Teaching." In Redesigning Pedagogy: Voice of Practitioners, ed. Chitra Shegar and Ridzuan Abd Rahim, 15-31. Singapore: Pearson Education South Asia, 2007.

 

Chong, E. "Edublogging and Distributed Expertise in Music Teaching." Paper delivered at the Redesigning Pedagogy Conference: Culture, Knowledge and Understanding (Singapore), 28-30 May 2007.

 

 

On Ravel

 

Chong, E. "Extending Schenker's Neue musikalische Theorien und Phantasien: Towards a Schenkerian Model for the Analysis of Ravel's Music." PhD diss., University of Rochester, 2002.

 

Chong, E. "Ravel and the Schubertian Non-tonic Reprise." Poster session at the 2004 Nordic Musicological Congress (Helsinki), 11-14 Aug 2004.

 

Chong, E. "Contextualizing Ravel's Sonatine." In Music Research: New Directions for a New Century, 345-57. Edited by Michael Ewans, Rosalind Halton, and John A. Phillips. London: Cambridge Scholars Press, 2004.

 

 

Musical Performances

 

Conducted a combined church choir with piano/orchestra for the Paya Lebar Chinese Methodist Church's 65th Anniversary Christmas Celebration (45-minute presentation), 25 Dec 2004.

 

Accompanist for performance of Zhan Hong Da's Passion Cantata, The Crucified God (30-minute), Paya Lebar Chinese Methodist Church, 25 Mar

 

Accompanist for violin lecture-recital (ExxonMobil-NIE Exploration of the Arts Series) by Tan Kia Hui, 8 Sep 2006: 2 pieces

 

Accompanist for vocal recital (ExxonMobil-NTU Exploration of the Arts Series) by Oliver Lo, 17 Jan 2007: 50-min programme

 

Undergraduate Academic Exercise Supervision 

Tan, Adeline Li Jen. Structure, Rhythm and Harmony in the Spanish and Cuban Danzas of Ernesto Lecuona. BA(Hons) Academic Exercise, National Institute of Education.

 

Ng, Samuel Xi Wei. Seeing Messiaen's Visions L'Amen through the Composer's Eyes. BA(Hons) Academic Exercise, National Institute of Education.

 

 

Thesis supervision

 

Leong, Wei Shin. Assessment of Music Compositions by Music Elective Programme Students in Singapore:  A Comparative Study of the Criterion Based Method and the Consensual Assessment Method. MEd (Mus Ed) thesis, National Institute of Education.

 

McDonald, Eric. Rogue Trader Opera in Three Acts. MA (Composition) thesis, National Institute of Education. [supervised analytical commentary]

 

 

 

 

Ministry of Education

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visual arts online : email nievpa@nie.edu.sg : tel 6790 3888 : (c) national institute of education 2003 : updated 25 July 2005